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Name Droppings
When egos take a crap, owners are not cleaning up. Watch your foot.
With the ubiquity and the repulsiveness of fresh birdshit, the ancient art of the name drop has invaded our daily habits. By mentioning someone or some thing we perceive as greater than ourselves, we hope to be elevated closer to the pedestals upon which we have placed our heroes, our wooden idols, our holy grails.
We casually remind our friends who we had lunch with last week. Our
writings of famous legends, all the better to bolster our supposed point and inflate our bibliographies. The name drop even manifests its insidious nature in the clothes we wear: "Look at me, I'm cool enough to associate myself with Brand X."
If we can't achieve on our own merits, let us at least attempt to achieve on the merits of others. Let us tickle the toes of angels.
And as I was telling my buddy Bill Gates the other day, our perversion with name dropping has landed like a drunken fly on the World Wide Web. From college freshmen to
corporate giants publishers do their duty in the form of the hot list.
In the good ol' days of the Internet-- before <bgcolor="#ffffff"> and cool X of the day -- pioneers in the wilderness created hotlists out of sheer pragmatism. It was much easier to maintain a <ul> of favorite pages than to keep writing nifty URLs on the back of our hands.
Sometimes, these hotlists grew into veritable hierarchical directories and friends would visit to marvel at the Oh! the places we've been! Wouldn't you know it, somebody was bound to turn this into the next
lucrative cottage industry
But pragmatism be damned, we wanted to show off! So we filled our hotlists with all sorts of heady goods. With the vanity of a Muppet pig we told the world all the cool places we had been, if but once, so that we, too, could be "cool." The result is hardly a hotlist that fails to pay homage to Dilbert, Yahoo, HotWired, or the granddaddy of all name droppings, Cool Site of the Day.
And as I was saying to Marc
Andreesen get you twenty that the next homely home page you stumble upon will be graced by three elements: the owner's picture (with optional dog), the owner's resume, and the owner's hotlist.
In the beginning, the Internet was the vision of intellectual egalitarianism. *Anybody* could publish. Freedom of the press no longer belonged to those that owned the presses, but to anyone who owned a modem. Publishing houses would crumble and pop would finally eat itself now that Aunt Beth could print her travelogue and Uncle Enos could publish his book for the price of a cup of java. Can't negotiate your way into the New York Times? Don't worry -- there's a place for you on the Internet.
The age-old inquiry has been, What if we threw a war and nobody came? The new question is, What if you have a medium -- but nothing to say? Name drop. After the obligatory photo and resume, of course.
By night I fight crime in the shadowed alleys of a metropolis, but by day I serf. I am a pixel-pusher. I harvest the Internet. My job is to take the content of others -- unpalatable in print -- and magically make it less unpalatable on the Web. It's a tough job, but everybody's got to do it.
It always interests me, then, to look at our logs and see which content gets seen the most. Our cookie cutter Web presence is composed of a home page and 4-6 gateways to other junk, one of which is invariably a unique hotlist. The rub is, the hotlist is always the most popular page! Not only do people thrive on name dropping, they suck it up, too!
As I was telling God the other day, Internet nomads clearly do not soak in the content, the poetry, the gentle wit of each page they visit. Instead, they cruise from home page to home page, gawking at all the pretty pictures. They coo to their monitors, "Oh, this is interesting," and find the next hotlist so that they can go to more home pages and go googoo at the next series of pretty pictures.
We are not interested in the Homerian epic of the Internet. We instead thirst for its coloring book.
As for me, I'm going to go clean my shoes. courtesy of Stubb ex Machina |
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